Saturday, April 18, 2020

Time Machine Essays - The Time Machine, English-language Films

Time Machine In The Time Machine, H.G Wells depicts the workings of a Capitalist society very well. His representations of the classes might be subtle, but the Morlock is an obvious attempt at representing the lower class on several levels. The upper classes in history have been very scarred of the size and capabilities that the lower classes hold over them. The very notion that the Morlocks are underground not only puts them physically under the Eloi's but also represents to me, a ghetto like existence, that we see in our society today. They are depicted as a dark, aggressive people. Much like how the upper class may look at the lower classes today. The Morlocks come up and snatch an Eloi from above down into their existence. This might be a similar fear that someone of the upper class might have today. This notion, whether true or not, shows a common fear of the upper class to the subordinate group. In history most revolutions occur because of the differences in financial status. The French revolution occurred towards the Bourgeois and the American Revolution, fought to stop taxation without representation (a financial reason). I recently walked through New York City and felt that the biggest problem was not between the races (although that is a problem), but the ever-widening difference between the haves and the have-nots. I believe it might have been Karl Marx that foreshadowed a society with a huge chasm between rich and poor, that results in a revolution from the lower class and overthrows the upper. In his view the lower class would then create a Utopian society (of which Marx did not give detail into) ridding the culture of all the problems imposed on them. This has yet to happen in any revolution of significance. Even many years after the book was written, Wells is still able to depict the fears that the class systems today fear. Nothing has really fundamentally changed, and the Eloi's and Morlocks represent this well.

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